Do each of the broadcasters’ drama series in your country have their own distinct identity? While every broadcaster produces a wide range of dramas, each network has its own recognisable style — in genre, tone, and atmosphere. Dedicated Japanese drama fans say, “I can tell which network made this drama” just by watching it.

For decades, horror lived on the fringes of the mainstream. Cult favourites dismissible from awards conversations as somewhat of a niche, reserved for special effects and make up categories. Jump to today, everyone is talking about Horror titles – they are sweeping up awards, feature world renowned talent, and maintain impressive box office figures.

It’s October in London, and that can only mean one thing. The BFI London Film Festival isn’t just a celebration of great cinema; it’s the ultimate meeting of art and strategy. For ten days, the city becomes a playground for influential producers, directors, and distributors, who are all looking to make their mark, find their next partner (and maybe get a look-in at in the awards season thunder). 

As the television industry gathers once again in Cannes, MIPCOM 2025 comes at a pivotal moment for the industry. The market has always reflected both the stability and the disruption of the business and this year’s central thematic pillar is clear: the convergence of traditional content with the digital-first economy.